Patrick Thaddeus Jackson
Change you can believe in. Or is it a trap?
So our little geekfest-in-a-teacup has provoked, among other things, some additional contributions by members of The Duck focusing on additional ways that the Empire's command structure and Imperial strategy towards the Rebel Alliance doesn't make a lot of sense. The Imperial troops are feckless, letting the rebels escape on occasions when they should have been able to stop them easily. Opportunities to wipe out the rebels are missed through various kinds of incompetence, tactical or bureaucratic or otherwise. The Empire as a whole is riddled with inconsistencies and incoherences, clashes between divisions, competing goals, unclear budgeting priorities. And so on.
To all of that I say, along with my main Mon Calamari, Admiral Akbar: IT'S A TRAP. Really. The whole damn thing is a trap, not just specific instances of deception like the one that his most famous exclamation seems to refer to. Yes, it's a trap that the shield generator is still working and the Death Star is operational when the rebel fleet jumps into the Endor system, but more to the point, the entire interstellar-galactic-political situation is a giant trap for the unwary, and by "the unwary" here I mean not just the various denizens of the Star Wars universe who are focusing on the wrong thing if they think that the main game in town is Empire-vs.Rebel Alliance, but also and perhaps even more profoundly the analysts who keep mistakenly treating anything that the Empire does as animated by the strategic goal of securing political rule and defeating insurgents. All of that is a sideshow, because the actual story here has nothing do with political rule; the contest is and always has been Sith vs. Jedi, which is more of a theological contest despite what misguided strategic analysts who don't respect the conditional autonomy of constitutive ideas might think about it.
So, let's review a little basic Star Wars history (and I am going to give the grade-school textbook version here, not the C-canon version). Once upon a time there were Sith engaged in an epic battle with Jedi, but the Jedi prevailed, set up their Temple on Coruscant, and proceeded to be the guardians of peace and justice throughout the galaxy for a thousand generations, including their cooperation with the Old Republic. The Jedi order is based on the notion that the Force has two aspects, the Dark and the Light, and that only the Light has merit: they are, pretty directly, Manichaean dualists. Meanwhile the Sith bided their time, adopting the Rule Of Two -- always two there are, a master and an apprentice, no more, no less -- and managed to survive in the shadows, waiting. Palpatine, a.k.a. Darth Sidious, after killing his master Darth Plageous, becomes basically the single most powerful Sith Lord ever, with a command of the Dark Side of the Force to make anyone quail in terror. But even this isn't enough against an entire galaxy that thinks of the Jedi Order as a good thing, so he launches a cunning plan to utterly destroy the Jedi by corrupting the Jedi Order (getting them involved in the Clone Wars as generals) and then turning the galaxy against them (declaring them traitors, blaming the war on them) and then killing off most of them (issuing Order 66, Vader's rampage in the Temple). Vader then proceeds to hunt down and destroy the rest of the Jedi that he can find, and only misses Obi-Wan Kenobi and Yoda because they go into deep-cover hiding and lie very low for almost two decades.
Episode I: Spencer Ackerman over at Danger Room posts this analysis of the Battle of Hoth.
Episode II: 90 e-mails and twelve hours later, this symposium goes up on the Danger Room website including a contribution by our own Dan Nexon. Unfortunately, not all of us involved in the furious e-mail thread made the cut or the deadline, so not all of our replies were posted. Which brings us to:
Episode III: my piece, sadly not included in the Danger Room symposium. Below the fold.
Just to collect all the links from our Forum on Iain M. Banks' The Hydrogen Sonata into one coherent place:
Chris Brown: A Triumphant Return to Form | Gerard van der Ree: Learning from Utopia | Iver B. Neumann: Religion and the Sublime | Patrick Thaddeus Jackson: Actors on the Sci-Fi Stage | Dan Nexon: To Sim, Perchance to Dream | and Iain M. Banks' reply
General Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.
Iain M. Banks is a celebrated author of both science fiction and "regular fiction." According to his Wikipedia page, in 2008 The Times named him in their list of "The 50 greatest British writers since 1945."
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General Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.
Patrick Thaddeus Jackson is Professor of International Relations and Associate Dean for Undergraduate Education in the School of International Service at American University.
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General Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.
Iver B. Neumann is Montague Burton Professor of International Relations at the London School of Economics. For some reason he doesn't have a personal page at the LSE, so here's his Wikipedia page instead.
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General Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.
Gerard van der Ree is Assistant Professor at University College Utrecht.
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General Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.
Chris Brown is Professor of International Relations at the London School of Economics.
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Iain M. Banks, an especial favorite author of mine and someone on whom I've written before, published a new novel earlier this Fall: The Hydrogen Sonata, the latest installment in his ongoing series of novels about The Culture, a post-scarcity pan-human civilization largely controlled by hyper-advanced artificial intelligences called Minds. I invited four other scholars -- Dan Nexon, Iver Neuman, Chris Brown, and Gerard van der Ree -- to write short critical essays on the novel, and sent the package to Iain for his comments. I now have all of the pieces in hand, and over the next few days I'll post them here. Happy holidays. You're welcome.
The first posting of some of the audio from this weekend's ISA-Northeast conference is up over on my syndication site. This one is from a panel called "Whither Constructivism?" featuring Nick Onuf, Mike Barnett, and me, chaired by Sammy Barkin. I'll get the audio from the methodology workshop up in the next couple of days, and Dan has the audio from our "science fiction and IR pedagogy" panel because my recorder crapped out and didn't record it properly.
Full disclosure: I am incapable of being completely, or even mainly, a detached observer or commentator when discussing either Star Wars or Disney, having grown up largely surrounded by both enterprises in equal measure. Anyone who walks into my office sees, hanging over my computer, two posters: a 50th anniversary Fantasia one-sheet, and an Episode I theatrical teaser poster. And chances are if it's the first time you've come to visit me there, I'll end up telling you why "The Sorcerer's Apprentice" and the saga are the largely same cautionary tale about hubris. And scattered around the rest of my office, a plethora of Star Wars toys and Legos, a number of Disney collectibles...you get the picture. And I have on this blog been accused of being a corporate shill, incapable of saying bad things about the media companies that own the copyrights to the raw cultural materials out of which we craft the meanings of our lives.
All that by way of saying that today's announcement that Disney had purchased Lucasfilm for $4 billion and is planning a new Star Wars film for 2015 (Episode VII, reportedly, and expect massive argument within Geekdom At Large about just what that means right up until opening day, which for the sake of tradition better be late May 2015) produced the following reactions from me in this order:
1) speechlessness.
2) [a few minutes of frenzied Internet fact-checking to make sure that this was not a massive hoax]
3) you know, this could work.
4) OMG a new Star Wars film! In only three short years!!
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[The following essay, posted here in three parts over several days, was solicited by and is cross-posted at e-ir. Read part one here. Thanks to
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[The following essay, to be posted here in three parts over several days, was solicited by and is cross-posted at e-ir. Part one appeared here.
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[The following essay, to be posted here in three parts over the next several days, was solicited by and is cross-posted at e-ir. Thanks to
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I have long been intrigued by Orson Scott Card's typology of relations to the other, as expressed in his novel Speaker for the Dead. I
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Seven years ago today, 28 May 2005, is the day that this blog was, in an important sense, born. The previous day the day Dan
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This post started off as a reply to a comment under Robert Kelly's post on historical institutionalism, but it got so long I thought it
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